安东尼 · 葛姆雷 ANTONY GORMLEY 最新个展“坐标”登陆常青画廊圣吉米那诺，打造全新视域空间
ANTONY GORMLEY 'Co-ordinate'
安东尼 · 葛姆雷 | “坐标”
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SAN GIMIGNANO 圣吉米那诺
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13/05/2017 — 28/08/2017
常青画廊很高兴推出艺术家 安东尼 · 葛姆雷 的最新个展“坐标”，葛姆雷是在其时代里最杰出的艺术家之一。
展览“坐标”集聚呈现了一些列关于对空间线性结构映射的作品：内在的，感知的以及建筑学的。展览概念源于日程行走中大脑和躯体的配合过程。同名作品“坐标”是进入画廊看到的第一件作品，由两根拉伸的钢筋诊断器对立拼合，观众可以结合作品的几何形来测量其自身。整个展览中“躯体”和“空间”的映射对建筑以及我们自身的行动状态提出了质问。展览将画廊空间赋予的各种可能性得以利用，通过展现不同的线性作品，尝试客观的对主体空间进行绘制。
此次在画廊圣吉米那诺（意大利）的空间中，艺术家试图将这里作为“试验田”，打造一个结合身体和心理的实验空间。在其所展现的艺术语言中，“本体代替了表征”。
Galleria Continua is pleased to present CO-ORDINATE, a new solo show by Antony Gormley, one of the most prominent artists of his generation. This show is conceived as a foil to the sculptures presented in Gormley’s last exhibition in Italy – HUMAN at the Forte Belvedere in Florence (2015) – when 103 solid iron body forms were placed in a historic environment.
CO-ORDINATE brings together a series of works that consider the linear mapping of space: internal, perceptual and architectural. The exhibition takes its title from the coordination of mind and body in the every day act of walking. CO-ORDINATE (2017), is the first encountered at the gallery and its two stretched steel bars are diagnostic tools against whose absolute geometry the viewer is invited to measure herself. Throughout the show the mapping of body and space interrogates both architecture and our own moving state. Using the full variety of spaces offered by the gallery, the exhibition continues with different linear works that attempt an objective mapping of subjective space.
Here, in San Gimignano, the artist attempts to make a physical and psychological environment in which space as experience is the subject. In the artist’s words, “proprioception replaces representation”.
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展览现场 Exhibition Views
此次展览主空间作品“消失的地平线（二）”，调动了整个环境中关于“坐标”的全部感知。该装置用约长21千米丝绸包裹的橡皮筋打造了一个互动区域，身在其中的观者进行物理勘探，同时也成为被观察的对象。在由近四千个垂直紧绷的丝线营造的丛林中，观者的视野变得模糊。他们将坚定不移的目光投向空间，无可抵抗般的记录着视线的轨迹，每位观者在结束这段探索后的最后几分钟内都会留下心灵震动的痕迹。
The exhibition’s principle work, LOST HORIZON II (2017), foregrounds the co-ordination of all perceptions in the negotiation of an environment. The installation uses 21 kilometres of silk-wrapped bungee to make an interactive zone, inviting physical exploration and allowing the viewer to become the viewed. In negotiating LOST HORIZON’s forest of over 4000 vertical, taut silk lines, the viewer’s field of vision becomes confused. Their passage becomes a willed movement through a space thatboth resists and remembers the trajectory of the journey, each visitor leaving a trace of vibrations lasting many minutes after their journey has ended.
"消失的地平线（二）"，2017年，弹力绳，定点定制尺寸。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。LOST HORIZON II, 2017, bungee cord, site specific dimensions. © the artist. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana.
常青画廊圣吉米那诺展览现场，2017年。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。2017, exhibition view Galleria Continua, San Gimignano. © the artist. Courtesy the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana
"停留（五）"，2017年，6毫米低碳钢筋切面，119 x 48 x 107厘米。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。STAY VI, 2017, 6 mm square section mild steel bar, 119 x 48 x 107 cm. © the artist. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana
"降落"，2009年，6毫米低碳钢筋切面， 222 x 167 x 185厘米。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。FALL, 2009, 6 mm square section mild steel bar, 222 x 167 x 185 cm. © the artist. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana.
"降落"，2009年，6毫米低碳钢筋切面， 222 x 167 x 185厘米。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。FALL, 2009, 6 mm square section mild steel bar, 222 x 167 x 185 cm. © the artist. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana.
常青画廊圣吉米那诺展览现场，2017年。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。2017, exhibition view Galleria Continua, San Gimignano. © the artist. Courtesy the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana.
"平均（三）"，2016年，10毫米软钢板和10毫米低碳钢筋切面，193,1 x 50,4 x 33,3厘米。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。MEAN III, 2016, 10 mm mild steel plate and 10 mm square section mild steel bar, 193,1 x 50,4 x 33,3 cm. © the artist. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana.
"光内"，1986年至1987年，导线、玻璃纤维、石膏、气，193 x 50 x 38厘米。图片来源：常青画廊，圣吉米那诺/北京/穆林/哈瓦那；版权：艺术家。INTO THE LIGHT, 1986-87, lead, fibreglass, plaster and air, 193 x 50 x 38 cm. © the artist. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana.